A full account of the making, during 1909-10, of Der Rosenkavalier with emphasis on its derivation from a French operette of 1907, L'Ingenu libertin, which was seen in Paris by Count Harry Kessler and which formed the basis of the opera then to be written by Hofmannsthal and Strauss. Previous scholarship has credited the narrative and characters of Der Rosenkavalier to much older French sources known to and studied by Hofmannsthal, but this book shows clearly how every element in L'Ingenu libertin is in fact taken (and transformed) by Kessler and Hofmannsthal into the work that made fortunes...
A full account of the making, during 1909-10, of Der Rosenkavalier with emphasis on its derivation from a French operette of 1907, L'Ingenu libertin, ...
