The work done on a play before the first rehearsal, the first group reading or even the before the cast have met, can be crucial to the success of a production. Directors and dramaturgs must know how to analyze, understand and interpret a play or performance text if they hope to bring it to life on the stage.
This book provides a broad range of tools and methods that can be used when reading a text, including:
Lessons from the past. What can we learn from Aristotle, Stanislavsky, Meyerhold, Vakhtangov, Brecht and Harold Clurman? This section establishes the models and...
The work done on a play before the first rehearsal, the first group reading or even the before the cast have met, can be crucial to the success of ...
The work done on a play before the first rehearsal, the first group reading or even the before the cast have met, can be crucial to the success of a production. Directors and dramaturgs must know how to analyze, understand and interpret a play or performance text if they hope to bring it to life on the stage.
This book provides a broad range of tools and methods that can be used when reading a text, including:
Lessons from the past. What can we learn from Aristotle, Stanislavsky, Meyerhold, Vakhtangov, Brecht and Harold Clurman? This section establishes the models and...
The work done on a play before the first rehearsal, the first group reading or even the before the cast have met, can be crucial to the success of ...