A world-bridging '57 Chevy whisks friends Brent Sanders and Jerry Mahon to a nuke-ravaged USA. There, Brent and Jerry join the patrons of a drive-in movie theatre to wage nightly combat against gigantic mutant monsters. Amidst this life and death apocalypse, Brent falls in love with Lori Carpenter, a mysterious young woman who conceals a terrifying truth. For despite the atomic horrors Brent has already confronted in this post-nuked America, he doesn't know the true meaning of fear until he discovers Lori's dreadful secret, and then there is no turning back . . . In addition to Atomic...

The United States, the only country to have dropped the bomb, and Japan, the only one to have suffered its devastation, understandably portray the nuclear threat differently on film. American science fiction movies of the 1950s and 1960s generally proclaim that it is possible to put the nuclear genie back in the bottle. Japanese films of the same period assert that once freed the nuclear genie can never again be imprisoned. This book examines genre films from the two countries released between 1951 and 1967--including Godzilla (1954), The Mysterians (1957), The Incredible...