Purchase one of 1st World Librarys Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG - Ludwig van Beethoven (1770-1827) is widely considered to be one of the pre-eminent classical music figures of the Western world. This German musical genius created numerous works that are firmly entrenched in the repertoire. Except for a weakness in composing vocal and operatic music (to which he himself admitted, notwithstanding a few vocal works like the...
Purchase one of 1st World Librarys Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society...
This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, af...
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable p...
How to Listen to Music by Henry Edward Krehbiel is classic music appreciation guide that provides "hints and suggestions to untaught lovers of the art."
How to Listen to Music by Henry Edward Krehbiel is classic music appreciation guide that provides "hints and suggestions to untaught lovers of the art...
Whether or not the English owe a grudge to their Lord Chamberlain for depriving them of the pleasure of seeing operas based on Biblical stories I do not know. If they do, the grudge cannot be a deep one, for it is a long time since Biblical operas were in vogue, and in the case of the very few survivals it has been easy to solve the difficulty and salve the conscience of the public censor by the simple device of changing the names of the characters and the scene of action if the works are to be presented on the stage, or omitting scenery, costumes and action and performing them as oratorios.
Whether or not the English owe a grudge to their Lord Chamberlain for depriving them of the pleasure of seeing operas based on Biblical stories I do n...
