Purchase one of 1st World Librarys Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG - Ludwig van Beethoven (1770-1827) is widely considered to be one of the pre-eminent classical music figures of the Western world. This German musical genius created numerous works that are firmly entrenched in the repertoire. Except for a weakness in composing vocal and operatic music (to which he himself admitted, notwithstanding a few vocal works like the...

"A Book of Operas" from Henry Edward Krehbiel. American music critic and musicologist (1854-1923).

"A Second Book of Operas" from Henry Edward Krehbiel. American music critic and musicologist (1854-1923).

"Chapters of Opera" from Henry Edward Krehbiel. American music critic and musicologist (1854-1923).

How to Listen to Music by Henry Edward Krehbiel is classic music appreciation guide that provides "hints and suggestions to untaught lovers of the art."

Whether or not the English owe a grudge to their Lord Chamberlain for depriving them of the pleasure of seeing operas based on Biblical stories I do not know. If they do, the grudge cannot be a deep one, for it is a long time since Biblical operas were in vogue, and in the case of the very few survivals it has been easy to solve the difficulty and salve the conscience of the public censor by the simple device of changing the names of the characters and the scene of action if the works are to be presented on the stage, or omitting scenery, costumes and action and performing them as oratorios.

The history of what is popularly called Italian opera begins in the United States with a performance of Rossini's lyrical comedy "Il Barbiere di Siviglia"; it may, therefore, fittingly take the first place in these operatic studies. The place was the Park Theatre, then situated in Chambers Street, east of Broadway, and the date November 29, 1825. It was not the first performance of Italian opera music in America, however, nor yet of Rossini's merry work. In the early years of the nineteenth century New York was almost as fully abreast of the times in the matter of dramatic entertainments as...