This book examines six Cuban novels published between 1991 and 1999, all part of the new -boom- of the Cuban novel in the 1990s. It analyses how in undermining monolithic representations of reality these texts employ discursive techniques that question absolute truths, defy established boundaries of literary genres and challenge concepts of national, gender and individual identity. The authors studied in this book---Reinaldo Arenas, Leonardo Padura Fuentes, Abilio Estevez, Daina Chaviano, Yanitzia Canetti, and Zoe Valdes---are placed beyond the dichotomy of outside and inside Cuba in order to...