Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence.
Stanley Kubrick's last six adaptations--2001: A Space Odyssey, A Clockwork...
Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001...
Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence.
Stanley Kubrick's last six adaptations--2001: A Space Odyssey, A Clockwork...
Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001...
