Lowell Tarling wrote 'Edges' for that most wonderful of all author incentives - insatiable curiosity. Combined with a quest for enlightenment, he undertook a subject few would have chosen-the history of those people and groups that separated from the Seventh-day Adventist church. Of necessity, this also includes touching on the history of the mainstream Seventh-day Adventist church. Lowell's education and early adult experiences were deeply entwined with the Seventh-day Adventist church. However, it would be a mistake to assume that his writing on the subject suffers from any degree of bias....
Lowell Tarling wrote 'Edges' for that most wonderful of all author incentives - insatiable curiosity. Combined with a quest for enlightenment, he unde...
You may start high school intending to be good, but if you try to be as tough as the Hood, keep notes in your socks in exams and always mess around, then you'll only end up in trouble. In this funny, deadly-accurate account of his first year at high school, Tommy Taylor learns his lesson all too well... 'In Lowell Tarling's funny Taylor's Troubles, Tommy Taylor is in his first year at secondary school, in the middle of every misfortune in his class, forever hoping for the best, but fearing the worst.' The Oxford Companion To Australian Children's Literature 'A very funny Australian...
You may start high school intending to be good, but if you try to be as tough as the Hood, keep notes in your socks in exams and always mess around, t...
I started writing poems when I was 16 and continued to do so all my life. Some even got published. They were okay. Then, along came Robert Wolfgramm. Robert found expression for my 'poetry' by turning them into song-poems, which is where this little book begins. Robert himself wrote both words and music, but he wrote more music than words. From the 1980s on, I wrote for other musicians too. Nothing formal. They'd pick up the book of words that lay around my study. 'Can I borrow these?' they'd ask. And they'd pick through the lyrics and come back with a song or two. Maybe you will too? After...
I started writing poems when I was 16 and continued to do so all my life. Some even got published. They were okay. Then, along came Robert Wolfgramm. ...
Martin Sharp was an integral part of international Pop Art in the 1960s, magnified through his covers for OZ magazine in Sydney and London, his covers for Cream, and posters of Dylan, Hendrix and Donovan. His efforts at making The Yellow House and Luna Park cultural precincts were aided by his screen prints and exhibitions to flaunt the work of others, especially the singer Tiny Tim.
In this first of two volumes, Lowell Tarling offers us a way into the enigmatic and reclusive artist, through interviews with Sharp and all of his trusted friends, including artists Tim Lewis, Peter...
Martin Sharp was an integral part of international Pop Art in the 1960s, magnified through his covers for OZ magazine in Sydney and London, his cov...