This book treats William Faulkner's major fiction--from Flags in the Dust through to Absalom, Absalom --to a searching reappraisal under the spotlight of a media-historical inquiry. It proposes that Faulkner's inveterate attraction to the paradigms of romance was disciplined and masked by the recurrent use of metaphorical figures borrowed from the new media ecology. Faulkner dressed up his romance materials in the technological garb of radio, gramophony, photography, and cinema, along with the transportational networks of road and air that were being installed in the 1920s....
This book treats William Faulkner's major fiction--from Flags in the Dust through to Absalom, Absalom --to a searching reappraisal u...
This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies.
This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studie...
