In this lucid study, Berges interprets the scroll of Isaiah as a 'literal cathedral', written by many hands and empowered by the experience of sorrow and disaster, liberation and joy. Methodologically, the book combines synchronic and diachronic perspectives and paves the way to a fruitful conversation between them. The vast reception history of the Book of Isaiah in the Septuagint, the New Testament, and in rabbinic and Christian traditions, as well as in painting and music, is also illustrated by some of the most illuminating examples.

Study of the book of Isaiah has in recent times been strongly marked by a tension between synchronic and diachronic approaches. The first is favoured mainly by English-speaking, the second by German-speaking scholars. Berges's book attempts to mediate between the two poles, arguing that the final form analysis and the tracing of the development of that form are deeply interdependent. This new research paradigm is applied here to the entire text of the book of Isaiah. Berges works consistently from the synchronic to the diachronic and back again to the evolved synchronous final form. Features...