How is performer-object interaction enacted and perceived in the theatre? How thereby are varieties of 'meaning' also enacted and perceived? Using cognitive theory and ecological ontology, Paavolainen investigates how the interplay of actors and objects affords a degree of enjoyment and understanding, whether or not the viewer speaks the language.
How is performer-object interaction enacted and perceived in the theatre? How thereby are varieties of 'meaning' also enacted and perceived? Using cog...
How is performer-object interaction enacted and perceived in the theatre? How thereby are varieties of 'meaning' also enacted and perceived? Using cognitive theory and ecological ontology, Paavolainen investigates how the interplay of actors and objects affords a degree of enjoyment and understanding, whether or not the viewer speaks the language.
How is performer-object interaction enacted and perceived in the theatre? How thereby are varieties of 'meaning' also enacted and perceived? Using cog...
This book reinterprets theatricality and performativity through a dramaturgy of texture and weaving. An approach is developed in which `performativity' names the way we tacitly weave worlds and identities, variously concealed or clarified by the step-aside tactics of `theatricality'.
This book reinterprets theatricality and performativity through a dramaturgy of texture and weaving. An approach is developed in which `performativity...
