This book examines how Cuba's revolutions of 1933 and 1959 became touchstones for border-crossing endeavors of radical politics and cultural experimentation over the mid-twentieth century.

This collection of essays presents a sampling of film and television texts, interrogating images of U.S. masculinity. Rather than using "postfeminist" as a definition of contemporary feminism, this collection uses the term to designate the period from the late 1980s on--as a point when feminist thought gradually became more mainstream. The movies and TV series examined here have achieved a level of sustained attention, from critical acclaim, to mass appeal, to cult status. Instead of beginning with a set hypothesis on the effect of the feminist movement on images of masculinity on film and...

This book examines how Cuba's revolutions of 1933 and 1959 became touchstones for border-crossing endeavors of radical politics and cultural experimentation over the mid-twentieth century.