The Dominion of the World (1900) represents a transition from classic Vernian anticipation to the pulp serials of the 1920s and 1930s. It is also the only science fiction work that sought to dramatize the "Transatlantic Peril," positing a fundamental difference of culture and attitude between the United States and Europe. Despite some of its outlandishness, hindsight has lent the world imagined by Gustave Guitton and Gustave Le Rouge (The Vampires of Mars) a certain prophetic quality. In the second volume of the series, as France seemed headed for war with England over colonial disputes in...

The Dominion of the World (1900) represents a transition from classic Vernian anticipation to the pulp serials of the 1920s and 1930s. It is also the only science fiction work that sought to dramatize the "Transatlantic Peril," positing a fundamental difference of culture and attitude between the United States and Europe. Despite some of its outlandishness, hindsight has lent the world imagined by Gustave Guitton and Gustave Le Rouge (The Vampires of Mars) a certain prophetic quality. In the fourth and final volume of the series, Harry Madge's brigade of psychic spies sent to infiltrate...

Il s'agit la d'un roman d'aventures pour les amateurs des romans de Jules Verne. Une machine volante nommee "La princesse des airs," la decouverte de la fee electrique, des inventions geniales et situations rocambolesques sont le lot de cet ouvrage. Un roman qui se devore jusqu'a la derniere page pour connaitre le devenir des naufrages de "la princesse" qui vont devoir lutter pour survivre..."