Children have been a part of the cinematic landscape since the silent film era, yet children are rarely a part of the theoretical landscape of film analysis. Lost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, seeks to remedy that oversight. Throughout the over one-hundred year history of cinema, the image of the child has been inextricably bound to filmic storytelling and has been equally bound to notions of romantic innocence and purity. This collection reveals, however, that there is a body of work that provides a counter note of darkness to the...

Children have been a part of the cinematic landscape since the silent film era, yet children are rarely a part of the theoretical landscape of film analysis. Lost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, seeks to remedy that oversight. Throughout the over one-hundred year history of cinema, the image of the child has been inextricably bound to filmic storytelling and has been equally bound to notions of romantic innocence and purity. This collection reveals, however, that there is a body of work that provides a counter note of darkness to the...

Drawing together film theory, queer theory, childhood studies, and reception studies, The Revolting Child in Horror Cinema examines the "revolting child" in such films as The Bad Seed, Village of the Damned, Rosemary's Baby, The Exorcist, and The Omen. It argues that monstrous child stands in for the queer child by taking on its various incarnations: the child with a secret, the child "taken over" by monstrosity in adolescence, the changeling child, and the cabal of queer youth. The child monster is both revolting and repellant, and yet is also a body in revolt against patriarchal...