This book is an ambitious attempt to produce an interdisciplinary reading of a set of relatively recent Hollywood films that appear to make references to the biblical genre of apocalyptic and associated ideas of Christian martyrdom and eschatology: End of Days, Armageddon, Alien3, The Rapture, The Seventh Sign. It is a 'preposterous' reading (Mieke Bal's term), reversing a common-sense impulse to view what comes first chronologically (the biblical text) as an unproblematic template rather than as itself the consequence of subsequent, contextualized readings. The cinematic reworkings Copier...