The transplantation of African musical cultures to the Americas was a multi-track and multi-time process. In the past many historical studies of African diaspora music, dance and other aspects of expressive culture concentrated on events in the Americas. What happened before the American trauma and simultaneously in Africa was often looked at unhistorically. In this book, world-renowned ethnomusicologist Gerhard Kubik considers African music and dance forms as the products of people living in various African cultures which have changed continuously in history, absorbing and processing...

Gerhard Kubik extends and expands the epic exploration he began in Jazz Transatlantic, Volume I. This second volume amplifies how musicians influenced by swing, bebop, and post-bop influenced musicians in Africa from the end of World War II into the 1970s were interacting with each other and re-creating jazz.

Takes the reader across the Atlantic from Africa to the Americas and then back in pursuit of the music we call jazz. This first volume explores the term itself and how jazz has been defined and redefined. It also celebrates the phenomena of jazz performance and uncovers hidden gems of jazz history.

Renowned scholar Gerhard Kubik extends and expands the epic exploration he began in Jazz Transatlantic, Volume I. This second volume amplifies how musicians influenced by swing, bebop, and post-bop in Africa from the end of World War II into the 1970s were interacting with each other and re-creating jazz.