Conceptualizing the curse as the representation of a foundational, mythical violence that is embedded within juridical discourse, Shakespeare's Curse pursues a reading of Richard III, King John and King Lear in order to analyze its persistence in the discourses of modernity. Shakespeare wrote during a period that was transformative in the development of legal thinking. But, taking up the relationship between theatre, theology and law, Bjoern Quiring argues that constitutional and contractarian legal thinking did not replace, but reinforced and reinvigorated Christian ideas about the curse and...