This book is not designed to define the sacred. It is, rather, a bringing together of case histories (a rich, varied collection from medieval, early modern and nineteenth-century contexts in England and Wales) that goes beyond familiar paradigms to explore the dynamic, protean interaction, in different times and places, between sacred space and text. Essentially an interdisciplinary enterprise, it focuses a range of historical and critical methodologies on that complex process of transformation and transmission whereby spiritual intuitions, experiences and teachings are made palpable 'in art...

Titus shoots his arrows bearing petitions for justice to the gods; Claudius asks 'what form of prayer can serve my turn?'; Lear wishes he could crack the vault of heaven with his prayers. Again and again, Shakespeare dramatises the scenario of the unheard prayer, in which the one who prays does so full well in the knowledge that no one is listening, interested, or even there at all. The scenario is keyed to the anxieties that surrounded the act of praying itself, so full as it was with controversy, the centrepiece of sectarian dispute over what was good and bad religion. This study reads the...

Examines the performative aspects of prayer and how they were represented in literature in early modern England.