Film adaptation of popular classics is a celebrated practice for the directors. The problem of being faithful to the exactness of the text is becoming a minor concern over the last few decades, especially since the 80s. The present work investigates the aspect of supernatural return in Shakespearean tragedies and in Hamlet film adaptations. Apart from displaying the variety in supernatural return this work also focuses on the modern shift in the interpretation of supernatural entity - theological interpretation seems to have made room for the psychoanalytical reading of ghosts and...