Examining the deployments of gender and sexuality over the past five decades in Taiwan, this book chronicles a queer historiography that illuminates the production of sexual identities and the formation of sexual modernity. Through primary research and historical investigation, Hans Tao-Ming Huang offers a contextualised study of Pai Hsien-yung's Crystal Boys, one of Taiwan's first recognized gay novels, as he critically engages disparate discursive fields of dominant legal and medical discourses of sex, lesbian and gay activism, as well as mainstream feminist politics. He shows that...