FROM THE POET the "Chicago Tribune" calls "the new voice of Chicago," comes "L-vis Lives ," a bold new collection of poetry and prose exploring the collision of race, art, and appropriation in American culture. L-vis is an imagined persona, a representation of artists who have used and misused Black music. Like so many others who gained fame and fortune from their sampling, L-vis is as much a sincere artist as he is a thief. In Kevin Coval's poems, L-vis' story is equal parts forgotten history, autobiography, and re-imaginings. We see shades of Elvis Presley, the Beastie Boys, and Eminem,...
FROM THE POET the "Chicago Tribune" calls "the new voice of Chicago," comes "L-vis Lives ," a bold new collection of poetry and prose exploring the co...
Hip-Hop is the largest youth culture in the history of the planet rock. This is the first poetry anthology by and for the Hip-Hop generation.
It has produced generations of artists who have revolutionized their genre(s) by applying the aesthetic innovations of the culture. The BreakBeat Poets features 78 poets, born somewhere between 1961-1999, All-City and Coast-to-Coast, who are creating the next and now movement(s) in American letters. The BreakBeat Poets is for people who love Hip-Hop, for fans of the culture, for people who've never read a poem, for people who...
Hip-Hop is the largest youth culture in the history of the planet rock. This is the first poetry anthology by and for the Hip-Hop generation.
Graffiti crews are willing to risk anything for their art. Called vandals, criminals, even creative terrorists, graffiti artists set out to make their voices heard and alter the way people view the world. But when one crew finishes the biggest graffiti bomb of their careers, the consequences get serious and spark a public debate asking, "Where does art belong?"
Kevin Coval is the author of Schtick, L-vis Lives, the American Library Association "Book of the Year" Finalist Slingshots: A Hip-Hop Poetica, and an editor of The BreakBeat...
Graffiti crews are willing to risk anything for their art. Called vandals, criminals, even creative terrorists, graffiti artists set out to make their...
Studs Terkel was an American icon who had no use for America's cult of celebrity. He was a leftist who valued human beings over political dogma. In scores of books and thousands of radio and television broadcasts, Studs paid attention - and respect - to -ordinary- human beings of all classes and colors, as they talked about their lives as workers, dreamers, survivors. Alan Wieder's Studs Terkel: Politics, Culture, But Mostly Conversation is the first comprehensive book about this man. Drawing from over one hundred interviews of people who knew and worked with Studs, Alan Wieder...
Studs Terkel was an American icon who had no use for America's cult of celebrity. He was a leftist who valued human beings over political dogma. In sc...
Known variously as "'the Windy City,"' "'the City of Big Shoulders,"' or "'Chi-Raq,"' Chicago is one of the most widely celebrated, routinely demonized, and thoroughly contested cities in the world.
Chicago is the city of Gwendolyn Brooks and Chief Keef, Al Capone and Richard Wright, Lucy Parsons and Nelson Algren, Harold Washington and Studs Terkel. It is the city of Fred Hampton, House Music, and the Haymarket Martyrs. Writing in the tradition of Howard Zinn, Kevin Coval's A People's History of Chicago celebrates the history of this great American city from the perspective...
Known variously as "'the Windy City,"' "'the City of Big Shoulders,"' or "'Chi-Raq,"' Chicago is one of the most widely celebrated, routinely demon...
