Blasted brought Sarah Kane to the theatre pages of the broadsheets, the front pages of the tabloids, and to the notice of the nation. Love me or kill me is the first study of the most significant British dramatist in post-war theatre. It covers all Kane's major plays and productions, contains hitherto unpublished material and reviews, and looks at her continuing influence after her tragic early death. Locating the main dramatic sources and features of her work as well as centralising her place within the 'new wave' of emergent British dramatists in the 1990s, Graham Saunders provides an...