In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in...
In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African America...
Throughout the silent-feature era, American artists and intellectuals routinely described cinema as a force of global communion, a universal language promoting mutual understanding and harmonious coexistence amongst disparate groups of people. This book examines the body of writing in which this understanding of cinema emerged and explores how it shaped particular silent films.
Throughout the silent-feature era, American artists and intellectuals routinely described cinema as a force of global communion, a universal language ...
Throughout the silent-feature era, American artists and intellectuals routinely described cinema as a force of global communion, a universal language promoting mutual understanding and harmonious coexistence amongst disparate groups of people. This book examines the body of writing in which this understanding of cinema emerged and explores how it shaped particular silent films.
Throughout the silent-feature era, American artists and intellectuals routinely described cinema as a force of global communion, a universal language ...