This is the first systematic study of the vernacular movement in modern Chinese literature of the late nineteenth and early twentieth centuries from the perspective of comparative literature. Drawing on the experiences of vernacular movements in other times and societies (Italian, French, German, English, Japanese, Indian, Arabic, Turkish, Vietnamese), and on the concept of world literature, this book is a new and radical rereading of the origins of modern Chinese literature. Examining the Chinese literary revolution in the context of vernacularization in Renaissance Europe, the genbun itchi...

This is the first book to concentrate not only on the triumph of the vernacular in modern China but also on the critical role of the rise of the vernacular in world literature, invoking parallel cases from countries throughout Europe and Asia.