One morning legendary wit Dorothy Parker discovers someone under Manhattan's famed Algonquin Round Table. A little early for a passed out drunk, isn't it? But he's not dead drunk, just dead. When a charming writer from Mississippi named Billy Faulkner becomes a suspect in the murder, Dorothy decides to dabble in a little detective work, enlisting her literary cohorts.

It's up to the Algonquins to outwit the true culprit-preferably before cocktail hour-and before the clever killer turns the tables on them.

When second-rate illustrator Ernie MacGuffin's artistic works triple in value following his apparent suicide off the Brooklyn Bridge, Dorothy Parker smells something fishy. Enlisting the help of magician and skeptic Harry Houdini, she goes to a seance held by MacGuffin's mistress, where Ernie's ghostly voice seems hauntingly real...

Why should Dorothy Parker's friends be the only ones making "enviable names" in "science, art, and parlor games"? Dorothy can play with the best of them--as she sets out to prove at a New Year's Eve party at the Algonquin Hotel. Since the swanky soiree is happening in the penthouse suite of swashbuckling star Douglas Fairbanks, some derring-do is called for. How about a little game of "Murder"?

Each partygoer draws a card to be detective, murderer, or victim. But young Broadway starlet Bibi Bibelot trumps them all when her dead body is found in the bathtub. No one knows who the killer is,...

In Rewriting Indie Cinema, J. J. Murphy explores alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer's own life experiences.