Dickens' plots have often been dismissed as conventional or cheaply sensational: Anny Sadrin argues that they should rather be seen as the embodiment of one of Dickens's central preoccupations: dramatised rituals of succession. Through readings of individual texts Professor Sadrin shows how the simple pattern of quest for father which characterises Oliver Twist develops in Dickens's later novels into an extended exploration of the triple inheritance of looks, name and property. Increasing intricacies of plot represent growing tension between conflicting forces in the parent child...