From the Introduction
The complex relationship between masculine and feminine, explored consistently throughout the history of poetry, offers fertile ground for collaborative creation. In discussion of the inherent possibilities we realized with astonishment that, in a milieu where authenticity is venerated as a hallmark of quality, the lions share of published poems exploring this duality have been written from a singular rather than a dialogical perspective. The poems in this collection represent a resultant ongoing effort to break free from the bonds of such limitations; specifically,...

...and it happened under cover was compiled as a kind of seduction; a titillating paean to open, honest lovemaking where partners can freely explore without shame or fear. We hope that these poem and prose offerings will entice readers to broaden their sexual horizons. We hope that they will inspire readers to explore shared fantasies where even the deepest, darkest desires can be mutually satisfied without guilt or regret Finally, we hope that they will encourage readers to embrace a new awareness where love can be confidently and joyously exchanged and nourished, brought out from under...

Cristina Umpfenbach-Smyth's harmonies unfold as concise, crystalline miniatures, encapsulating natural states as though a Mary Oliver vision had been distilled for a haiku consciousness. But place her in a vector of discord, whether over breast cancer or the inability of others to forgive, and she will apply that same distillation to searing examinations of exquisitely-defined moments of fear and sorrow. By offering this yin and yang in a single volume of poetry, Umpfenbach-Smyth serves up the ideal balanced diet.
Loring Wirbel/Poet/Journalist