There is wide latitude as to how Rachmaninoffs
works are interpreted. The problem here deals
with interpretation based on an intuitive
level rather than a systematic approach in
identifying stylistic idiom from the basis of the
composers unique witting style. Consequently, this
study examines Rachmaninoffs Corelli Variations and
its performance problems while addressing
fundamental research question at hand: in matters of
ontology and epistemology, is there a singular
interpretation that is privileged over another?
Expressly, how do criteria for legitimacy come into
play when...