Maria Chatzichristodoulou Rachel Zerihan Maria Chatzichristodoulou
Consisting of critical analyses, theoretical provocations and practical reflections by leading scholars/practitioners from the fields of performance studies, live art and creative technology, these essays examine the rise of intimate performance works and question the socio-historical contexts provoking those aesthetic and affective developments.
Consisting of critical analyses, theoretical provocations and practical reflections by leading scholars/practitioners from the fields of performance s...
The safe estimation of a duration during the planning of the Project Management schedules is a key objective for Project Managers. However, linear approaches fail to include and sufficiently serve the dynamic nature of many characteristics of an activity. The present research emphasizes in designing and implementing a methodology that approximates the duration of the activities during the phase of planning and scheduling, utilizing Grey Analysis mathematical modeling and comparing it to linear methodologies. These tools are based on time series analysis, which includes prior knowledge...
The safe estimation of a duration during the planning of the Project Management schedules is a key objective for Project Managers. However, linear ap...
Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers a contextual and critical introduction to the scene of contemporary Live Art in Britain. Focusing on the key artists, companies and organisations with a prolific body of work and which have been vital to the development of contemporary practice, this edited volume maps the landscape, illuminating the origins, concerns and aesthetics of Live Art in the UK today.
In their Introduction to the volume,...
Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance pr...
Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers a contextual and critical introduction to the scene of contemporary Live Art in Britain. Focusing on the key artists, companies and organisations with a prolific body of work and which have been vital to the development of contemporary practice, this edited volume maps the landscape, illuminating the origins, concerns and aesthetics of Live Art in the UK today.
In their Introduction to the volume,...
Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance pr...
