"Don't Let That Sun Go Down On Me" reflects the passions of soldiers and prostitutes and the underlying horrors of war. Innocence is tentative, worldliness is manipulative, but there is an underlying honesty in the characters, whether they are American soldiers, Viet Cong insurgents, South Vietnamese women, French girls or the people who surround them. More than anything, there is a desparate cry to not let that sun go down on me.

Snapshots In Scarlet examines the tumultuous relationship between Martha Neeves and her daughter Heather. Living in the eighties as a divorcee in Vermont, Martha still has great difficulty in understanding her daughter's seemingly unorthodox behavior while Heather was growing up in the sixties and early seventies while living in the Bay Area in and around San Francisco. The intertwining stories of these two women, each of them having to face the troubling realities of living in a world of upheaval and danger, form the passionate heart of this novel.

"On A Meadow Green And Pretty" examines the passionate and tragic events which transpire on a secluded farm in Minnesota on a hot Sunday in August in 1930 and the lifelong ramifications for the people involved. The idealized concept of a 'family farm' is forcefully ripped apart as the participants on that fateful day each struggle in their own way to seek redemption, satisfaction or understanding for what happened.

"Lay Me Down Easy On That Big Brass Bed" examines the irresistible allure of pursuing the brass ring of easy money, easy sex and easy drugs. From bureaucratic 'perks' to hard-ball politics, and from a private health club to a secluded rural motel room, the novel lays bare the political and sexual intrigues swirling throughout the cavernous halls of power at Minnesota's State Capitol and the 'good old boys' network within the host city of St. Paul.