The Negro was written by W E B Du Bois in 1915. This is one of the earliest histories of African people written by a leading African American scholar. Du Bois covers the devastation caused by European colonization to the lives of blacks in the early 20th century. This is an excellent companion piece for students studying American history particularly that of the African American

The Souls of Black Folk is a pivotal collection of the history of sociology and African-American literary history and contains a number of groundbreaking essays on race and race relations by scholar and activist W.E.B. DuBois. An early work in the field of sociology, The Souls of Black Folk analyzes the interactions between the races and offers a solution for the strife and inequality that had come to characterize those interactions. Du Bois' work reveals the way in which America was reconstructing and redefining itself as a country and culture in the wake of the Civil War. American writer,...

The Souls of Black Folk is a pivotal collection not only within the oeuvre of W. E. B. Du Bois' work, but in the whole of the history of sociology and as a mantlepiece of African-American literary history. Drawn from many previously published essays, Du Bois' work reveals the way in which America was reconstructing and redefining itself as a country and culture in the wake of the Civil War forty years prior. Drawn from sociological data as well as his own personal experiences, poetry, history, and song, Du Bois weaves an intricate portrait of African-American culture and life at the beginning...

Description: W. E. B. Du Bois was editor and principal author of The Negro Church, first published in 1903. A groundbreaking study, this volume is the first in-depth treatment of African-American religious life. It is the first sociological book on religion in the United States. It is the first empirical study of religion conducted by Black scholars. It is a landmark historical text on African-American religion and mores of a century and more ago. A new introduction provides the contextual backdrop for understanding the religious scholarship and faith of Du Bois. The appearance of this text...

This volume assembles essential essays--some published only posthumously, others obscure, another only recently translated--by W. E. B. Du Bois from 1894 to early 1906. They show the first formulations of some of his most famous ideas, namely, "the veil," "double-consciousness," and the "problem of the color line." Moreover, the deep historical sense of the formation of the modern world that informs Du Bois's thought and gave rise to his understanding of "the problem of the color line" is on display here. Indeed, the essays constitute an essential companion to Du Bois's masterpiece published...

This volume assembles essential essays--some published only posthumously, others obscure, another only recently translated--by W. E. B. Du Bois from 1894 to early 1906. They show the first formulations of some of his most famous ideas, namely, "the veil," "double-consciousness," and the "problem of the color line." Moreover, the deep historical sense of the formation of the modern world that informs Du Bois's thought and gave rise to his understanding of "the problem of the color line" is on display here. Indeed, the essays constitute an essential companion to Du Bois's masterpiece published...

A towering figure in African-American history, W. E. B. Du Bois (1868 1963) created a substantial literary legacy beyond such seminal works as The Souls of Black Folk. This volume highlights his other nonfiction writings and should be of great value to students in secondary school and college as well as to other readers. Contents include:
Strivings of the Negro People (1897)
A Negro Schoolmaster in the New South (1899)
The Song of the Smoke (1899)
The Black North: A Social Study (1901)
The Sorrow Songs (1903)
The Talented Tenth (1903)
Credo...

These are the things of which men think, who live: of their own selves and the dwelling place of their fathers; of their neighbors; of work and service; of rule and reason and women and children; of Beauty and Death and War. To this thinking I have only to add a point of view: I have been in the world, but not of it. I have seen the human drama from a veiled corner, where all the outer tragedy and comedy have reproduced themselves in microcosm within. From this inner torment of souls the human scene without has interpreted itself to me in unusual and even illuminating ways. For this reason,...

The time has not yet come for a complete history of the Negro peoples. Archaeological research in Africa has just begun, and many sources of information in Arabian, Portuguese, and other tongues are not fully at our command; and, too, it must frankly be confessed, racial prejudice against darker peoples is still too strong in so-called civilized centers for judicial appraisement of the peoples of Africa. Much intensive monographic work in history and science is needed to clear mooted points and quiet the controversialist who mistakes present personal desire for scientific proof. Nevertheless,...

He who would tell a tale must look toward three ideals: to tell it well, to tell it beautifully, and to tell the truth. The first is the Gift of God, the second is the Vision of Genius, but the third is the Reward of Honesty. In The Quest of the Silver Fleece there is little, I ween, divine or ingenious; but, at least, I have been honest. In no fact or picture have I consciously set down aught the counterpart of which I have not seen or known; and whatever the finished picture may lack of completeness, this lack is due now to the story-teller, now to the artist, but never to the herald of the...