Mary Reid Kelley celebrates the first museum exhibition devoted to the finely crafted and researched costumes, objects, and drawings that Mary Reid Kelley creates for her visually and intellectually stimulating videos. An essay by curator Daniel Belasco analyzes the sources and significance of the working objects in how they promote the "unreality effect" of Mary Reid Kelley's videos, which combine both the analog and digital and the personal and historical. A conversation between Corinna Ripps Schaming and Mary Reid Kelley and her long-time collaborator Patrick Kelley reveals insights...

The first-ever catalogue dedicated to light artist and holographer Rudie Berkhout, The Floating World focuses on the transmission holograms Berkhout made from 1978 to 1989, a peak period of his creativity and professional recognition. In a transmission hologram, a rear-mounted light shines on a glass plate to illuminate a three-dimensional image. Curator Daniel Belasco situates Berkhout in the art and culture of his day, from the mass-produced holograms on the cover of National Geographic to the other artists working at the intersection of technology and audience participation....