Heide Schlupmann's classic study of early German cinema was published in German as Unheimlichkeit des Blicks: Das Drama des Fruhen deutschen Kinos in 1990. For the first time in English, this translation makes available her feminist examination of German cinema and Germany in the sociopolitical context of Wilhelmine society. By examining then-unknown pre-World War I narrative films, this study paints a picture of the conflicted early years of the German cinema. During this period cinema and film production were able to develop independently from the cultural bourgeoisie and relied on those...
Heide Schlupmann's classic study of early German cinema was published in German as Unheimlichkeit des Blicks: Das Drama des Fruhen deutschen Kinos in ...
Heide Schlupmann's classic study of early German cinema was published in German as Unheimlichkeit des Blicks: Das Drama des Fruhen deutschen Kinos in 1990. For the first time in English, this translation makes available her feminist examination of German cinema and Germany in the sociopolitical context of Wilhelmine society. By examining then-unknown pre-World War I narrative films, this study paints a picture of the conflicted early years of the German cinema. During this period cinema and film production were able to develop independently from the cultural bourgeoisie and relied on those...
Heide Schlupmann's classic study of early German cinema was published in German as Unheimlichkeit des Blicks: Das Drama des Fruhen deutschen Kinos ...
This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theater. Articulated by film theorists, filmmakers, biologists and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film.
This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and...
