Once Verdi had become Italy's preeminent opera composer, he created only a few compositions for instrumental soloists, most notably the String Quartet in E Minor. He originally wanted to keep the string quartet--which was first performed in his hotel for a few friends--private, but eventually he allowed its publication and it soon became well known all over Europe and the United States. Though several recordings are available and the piece is regularly featured in performances, all of them use later editions that do not live up to Verdi's intentions as recorded in his autograph score. This...
Once Verdi had become Italy's preeminent opera composer, he created only a few compositions for instrumental soloists, most notably the String Quartet...
Although Verdi began sketching the music for "Il corsaro" in 1846, a lengthy illness forced him to postpone further work. He finally completed the score in early 1848, but the revolutions of that year delayed its first performance. When it finally premiered on 25 October at the Teatro Grande of Trieste Verdi was in Paris and did not participate as usual in the production, which was poorly received. Though more successful in subsequent stagings, "Il corsaro" was soon eclipsed by the operas of the noted "trilogy" and fell from the repertory. The full score of "Il corsaro," published here...
Although Verdi began sketching the music for "Il corsaro" in 1846, a lengthy illness forced him to postpone further work. He finally completed the sco...
Otello, Verdi's penultimate opera, was composed more than a dozen years after Aida, which he had intended to be his last work for the stage. He was persuaded by his publisher Giulio Ricordi to work with the librettist Arrigo Boito on an adaptation of Shakespeare's Othello; the resulting work is one of the supreme examples of Italian opera. Greeted with enormous enthusiasm at its premiere at La Scala in 1887, Otello immediately went on to huge success in all the major opera houses of the world. The richness of its musical and dramatic inventiveness is largely unmatched in Verdi's output,...
Otello, Verdi's penultimate opera, was composed more than a dozen years after Aida, which he had intended to be his last work for the stage. He was...
Messa da Requiem is the fourth work to be published in The Works of Giuseppe Verdi. Following the strict requirements of the series, this edition is based on Verdi's autograph and other authentic sources, and has been reviewed by a distinguished editorial board--Philip Gossett (general editor), Julian Budden, Martin Chusid, Francesco Degrada, Ursula Gunther, Giorgio Pestelli, and Pierluigi Petrobelli. It is available as a two-volume set: a full orchestral score and a critical commentary. The appendixes include two pieces from the compositional history of the Requiem an...
Messa da Requiem is the fourth work to be published in The Works of Giuseppe Verdi. Following the strict requirements of the series, thi...
This collection includes twelve popular and lesser-known pieces by Verdi arranged for organ, covering a variety of styles and moods, and serving both church and concert organists.
This collection includes twelve popular and lesser-known pieces by Verdi arranged for organ, covering a variety of styles and moods, and serving both ...
