The first volume of Jean-Francois Lyotard's Miscellaneous d104s on contemporary art and artists, Aesthetics and Theory of Art, contains nine essays on general aesthetics and the theory of art. They are published in the original French along with the translations in English. Most of these texts, preserved in the Lyotard archives of the Bibliotheque Litteraire Jacques Doucet in Paris, are presented here for the first time. They cover the whole period of his production, from 1969 to 1997, and they make the development of his philosophy of art explicit. After the "libidinal" conception of art...
The first volume of Jean-Francois Lyotard's Miscellaneous d104s on contemporary art and artists, Aesthetics and Theory of Art, contains nine essays...
The second volume of Jean-Francois Lyotard's Miscellaneous d104s, Contemporary Artists, gathers thirty-nine essays by Lyotard that deal with twenty-seven influential and innovative contemporary artists: Luciano Berio, Richard Lidner, Rene Guiffrey, Gianfranco Baruchello, Henri Maccheroni, Riwan Tromeur, Albert Ayme, Manuel Casimiro, Ruth Francken, Barnett Newman, Jean-Luc Parant, Francois Lapouge, Sam Francis, Andre Dubreuil, Joseph Kosuth, Sarah Flohr, Lino Centi, Gigliola Fazzini, Bracha Lichtenberger Ettinger, Henri Martin, Michel Bouvet, Corinne Filippi, Stig Brogger,...
The second volume of Jean-Francois Lyotard's Miscellaneous d104s, Contemporary Artists, gathers thirty-nine essays by Lyotard that deal w...
The first volume of Jean-Francois Lyotard's Miscellaneous d104s on contemporary art and artists, Aesthetics and Theory of Art, contains nine essays on general aesthetics and the theory of art. They are published in the original French along with the translations in English. Most of these texts, preserved in the Lyotard archives of the Bibliotheque Litteraire Jacques Doucet in Paris, are presented here for the first time. They cover the whole period of his production, from 1969 to 1997, and they make the development of his...
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The first volume of Jean-Francois Lyotard's Miscellaneous d104s on contemporary art and artist...
Lyotard met Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contemporary art since Discourse, Figure. Lyotard's interest in the plastic arts thus fits fully within the setting of his political preoccupations. The artist-protagonist stages the recurring motifs that fascinate Lyotard: the scene of the crime, the revolver, the woman, the victim, glaciers, deserts, stars. The atmosphere of the essays on Monory is "Californian." Monory's imaginary repertoire goes well beyond the masters of modernity and is in line rather with a "modern...
Lyotard met Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contemporary art since Disc...