This book investigates the history of the Philippine Peoples Theatre, its culture, aesthetic and pedagogical aims and its contribution to the changing status and role of the Filipino women.It focuses on the Philippine Educational Theater Association (PETA), the most significant exponent of the Philippine Peoples Theatre. The book differentiates itself from studies in this area in several ways. Firstly, by aiming to establish the connection between feminism, nationalism and radical theatre as these ideologies coalesced in the time of the inception of this pioneering theatre. Secondly, by...