Since the 1960s, the Western sphere of art has given up modern aesthetics that held that the sphere of art should be independent of the spheres of economics, cultural industry, politics and practical utility. In contrast to a conception of art such as this, the contemporary sphere of art has firmly become rooted in its societal-cultural environment. In particular, it is widely interlaced with the spheres of public sector, economics, mass media, philosophical reflection, scientific research work, peoples everyday life and practical social action. In particular, an increasing marketisation and...
Since the 1960s, the Western sphere of art has given up modern aesthetics that held that the sphere of art should be independent of the spheres of eco...
