'Writing Degree Zero' is Barthes' introduction to his field of study, the basic definitions required in the analysis of speech, language, writing and style. In 'Elements of Semiology', Barthes presented a concise scientific definition of Saussurean linguistics and their aftermath.

In 1974 Roland Barthes travelled in China as part of a small delegation of distinguished French philosophers and literary figures. They arrived in China just as the last stage of the Cultural Revolution was getting underway - the campaign to criticize Lin Biao and Confucius. While they were welcomed by writers and academics, the travelers were required to follow a pre-established itinerary, visiting factories and construction sites, frequenting shows and restaurants that were the mainstay of Western visitors to China in the 70s.

Barthes planned to return from the trip with a book...

Synopsis coming soon.......

An introduction to the thinking of the French intellectual, Roland Barthes, as applied to such diverse topics as Gide, Garbo, striptease, photography and the Eiffel Tower. The pieces in this collection were written over a period of three decades.

Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs

The language we use when we are in love is not a language we speak, for it is addressed to ourselves and to our imaginary beloved. It is a language of solitude, of mythology, of what Barthes calls an image repertoire. This work revives - beyond the psychological or clinical enterprises which have characterized such researches in our culture - the notion of the amorous subject. It should be enjoyed and understood by two groups of readers: those who have been in love (or think they have, which is the same thing), and those who have never been in love (or think they have not, which is the same...

'Mythologies' is a series of essays on the codings that command our daily life, from hairstyles in the film Julius Caesar to glossy photographs of gourmet cooking, to the cult of foam in detergents.

"I define the Neutral as that which outplays the paradigm, or rather I call Neutral everything that baffles paradigm." With these words, Roland Barthes describes a concept that profoundly shaped his work and was the subject of a landmark series of lectures delivered in 1978 at the College de France, just two years before his death. Not published in France until 2002, and appearing in English for the first time, these creative and engaging lectures deepen our understanding of Roland Barthes's intellectual itinerary and reveal his distinctive style as thinker and teacher.

The Neutral (le...

Roland Barthes (1915-1980) was a major French writer, literary theorist and critic of French culture and society. His classic works include Mythologies and Camera Lucida. Criticism and Truth is a brilliant discussion of the language of literary criticism and a key work in the Barthes canon. It is a cultural, linguistic and intellectual challenge to those who believe in the clarity, flexibility and neutrality of language, couched in Barthes' own inimitable and provocative style. Translated and Edited by Katrine Pilcher Keuneman Introduced by Philip Thody.

Roland Barthes (1915-1980) was a major French writer, literary theorist and critic of French culture and society. His classic works include Mythologies and Camera Lucida. Criticism and Truth is a brilliant discussion of the language of literary criticism and a key work in the Barthes canon. It is a cultural, linguistic and intellectual challenge to those who believe in the clarity, flexibility and neutrality of language, couched in Barthes' own inimitable and provocative style.