George Catlin gained renown for his nineteenth-century paintings of Indians and their lands, sympathetic portraits that counterbalanced those of other Americans eager to conquer and dominate both. In this first book to probe the attitudes that shaped and constrained Catlin's career, John Hausdoerffer argues that, despite his sympathies, Catlin's work embodied the same prevailing sentiment toward Nature that sanctioned Indian removal and thus undercut his own alternate vision for westward expansion.

Some see Catlin as an ethical spokesman for Indians, others as a mere exploiter....

Whether referring to a place, a nonhuman animal or plant, or a state of mind, wild indicates autonomy and agency, a will to be, a unique expression of life. Yet two contrasting ideas about wild nature permeate contemporary discussions: either that nature is most wild in the absence of a defiling human presence, or that nature is completely humanized and nothing is truly wild.

This book charts a different path. Exploring how people can become attuned to the wild community of life and also contribute to the well-being of the wild places in which we live, work, and play,...