Liszt's dark paraphrase on the Gregorian chant "Dies irae" for piano and orchestra was planned as early as 1838 but actually composed between 1847 and 1853, with a revision in 1864. The work was given its premiere in this revised version in the Hague, with Liszt's student Hans von Bulow as soloist. The score reproduced here was originally issued in 1914 by Breitkopf & Hartel of Leipzig as part of the 13th volume of "Franz Liszt: Musikalische Werke," edited principally by Bernhard Stavenhagen. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free...
Liszt's dark paraphrase on the Gregorian chant "Dies irae" for piano and orchestra was planned as early as 1838 but actually composed between 1847 and...
"Die Ideale" is the penultimate work of the revolutionary series of thirteen tone poems Liszt composed for orchestra. It may have been originally intended as the final one, since the final symphonic poem followed more than two decades after this works completion and premiere - which took place on 9 September 1857 with the Weimar Hofkapelle conducted the composer. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the sixth volume of the Liszt-Stiftung edition, published in 1910. As with all PLP scores a percentage of each sale is donated to the...
"Die Ideale" is the penultimate work of the revolutionary series of thirteen tone poems Liszt composed for orchestra. It may have been originally inte...
At least one of the two works inspired by Nikolaus Lenau's poem on the familiar Faust legend may have been originally composed for piano and later orchestrated . The first, "Der nachliche Zug" is a march-like work not often performed while the second, entitled "Der Tanz in der Dorfschenke" is better known as the "Mephisto Waltz No. 1." This popular work was first heard for orchestra on March 3, 1861 with the composer conducting the Weimar Hofkapelle. The score reproduced here was originally issued by Breitkopf & Hartel of Leipzig in 1913 as part of the tenth volume of "Franz Liszt:...
At least one of the two works inspired by Nikolaus Lenau's poem on the familiar Faust legend may have been originally composed for piano and later orc...
Chopin doux et harmonieux genie Quel est le c ur auquel il fut cher, quelle est la personne a laquelle il fut familier qui, en l'entendant nommer, n'eprouve un tressaillement, comme au souvenir d'un etre superieur qu'il eut la fortune de connaitre ? Mais, quelque regrette qu'il soit par tous les artistes et par tous ses nombreux amis, il nous est peut-etre permis de douter que le moment soit deja venu ou, apprecie a sa juste valeur, celui dont la perte nous est si particulierement sensible, occupe dans l'estime universelle le haut rang que lui reserve l'avenir."
Chopin doux et harmonieux genie Quel est le c ur auquel il fut cher, quelle est la personne a laquelle il fut familier qui, en l'entendant nommer,...
