A symbol of Indiana's past, the covered bridge still evokes feelings of nostalgia, romance, and even mystery. During the 19th century, over 500 of these handsome structures spanned the streams, rivers, and ravines of Indiana. Plagued by floods, fire, storms, neglect, and arson, today fewer than 100 remain. Marsha Williamson Mohr's photographs capture the timeless and simple beauty of these well-traveled structures from around the state, including Parke County--the unofficial covered bridge capital of the world. With 105 color photographs, Indiana's Covered Bridges will appeal to everyone...
A symbol of Indiana's past, the covered bridge still evokes feelings of nostalgia, romance, and even mystery. During the 19th century, over 500 of ...
The work of T. C. Steele, William Forsyth, J. Ottis Adams, Otto Stark, and Richard Gruelle, known collectively as the Hoosier Group, established plein air ("in the open air") painting as a major art form in Indiana. The vitality of this style is represented in Painting Indiana III: Heritage of Place which includes 100 juried works by current Indiana plein air artists, along with paintings by the Hoosier Group, all featuring notable Indiana landmarks. This richly illustrated book will delight Hoosiers and art lovers around the world.
The work of T. C. Steele, William Forsyth, J. Ottis Adams, Otto Stark, and Richard Gruelle, known collectively as the Hoosier Group, established pl...
Barry Gealt's nature paintings, with their thick layers of pigment and saturated colors, evoke the drama of place purple waves splashing over shell-pink sands, mossy rocks protruding among twisting water surfaces, the windless mists of Indiana mornings, and the hush and rustle of winter woods. This beautiful retrospective catalog presents forty of Gealt's works, mostly large oil-on-panel paintings, from 1985 through 2012. Rachel Berenson Perry traces Gealt's art-making life from his early experiments with figurative painting through the evolution of his abstract, forceful, almost...
Barry Gealt's nature paintings, with their thick layers of pigment and saturated colors, evoke the drama of place purple waves splashing over shell...
Closely associated with artists such as T. C. Steele and J. Ottis Adams, William J. Forsyth studied at the Royal Academy in Munich then returned home to paint what he knew best--the Indiana landscape. It proved a rewarding subject. His paintings were exhibited nationally and received major awards. With full-color reproductions of Forsyth's most important paintings and previously unpublished photographs of the artist and his work, this book showcases Forsyth's fearless experiments with artistic styles and subjects. Drawing on his personal letters and other sources, Rachel Berenson Perry...
Closely associated with artists such as T. C. Steele and J. Ottis Adams, William J. Forsyth studied at the Royal Academy in Munich then returned ho...