This is a book about video art, and about sound art.
The thesis is that sound first entered the gallery via the video art of the 1960s and in so doing, created an unexpected noise. The early part of the book looks at this formative period and the key figures within it - then jumps to the mid-1990s, when video art has become such a major part of contemporary art production, it no longer seems an autonomous form.
Paul Hegarty considers the work of a range of artists (including Steve McQueen, Christian Marclay, Ryan Trecartin, and Jane and Louise Wilson), proposing different...
This is a book about video art, and about sound art.
The thesis is that sound first entered the gallery via the video art of the 1960s and in...
This is a book about video art, and about sound art.
The thesis is that sound first entered the gallery via the video art of the 1960s and in so doing, created an unexpected noise. The early part of the book looks at this formative period and the key figures within it - then jumps to the mid-1990s, when video art has become such a major part of contemporary art production, it no longer seems an autonomous form.
Paul Hegarty considers the work of a range of artists (including Steve McQueen, Christian Marclay, Ryan Trecartin, and Jane and Louise Wilson), proposing different...
This is a book about video art, and about sound art.
The thesis is that sound first entered the gallery via the video art of the 1960s and in...
Increasingly, sound is deliberately placed into art exhibitions from video art to installation, from performance to sound art. Sound is also incidentally present in the architectural environment, in the ambience of the space and the noise generated by the audience. To date there has been minimal scholarship directed towards the intricacies of sound within the bounds of the purportedly visual art gallery. The book aims to address this gap in knowledge through the examination of historical and contemporary sound in gallery environments. This will include the deliberate inclusion of sound in...
Increasingly, sound is deliberately placed into art exhibitions from video art to installation, from performance to sound art. Sound is also incide...
Sound is an integral part of contemporary art. Once understood to be a marginal practice, increasingly we encounter sound in art exhibitions through an array of sound making works in various art forms, at times played to very high audio levels. However, works of art are far from the only thing one might hear: music performances, floor talks, exhibition openings and the noisy background sounds that emanate from the gallery cafe fill contemporary exhibition environments. Far from being hallowed spaces of quiet reflection, what this means is that galleries have swiftly become very noisy...
Sound is an integral part of contemporary art. Once understood to be a marginal practice, increasingly we encounter sound in art exhibitions throug...
Philippe Grandrieux is one of cinema's only living true radicals and feted as one of the most innovative and important film makers of his generation. His consistently controversial work remains, however, relatively unknown outside of the international art film festival circuit. In this volume, the first book-length study of the work of Grandrieux in any language, Greg Hainge provides an overview and critical analysis of Grandrieux's entire career during which he has produced works for television, video installations, photography, performance pieces, documentary films, short films and...
Philippe Grandrieux is one of cinema's only living true radicals and feted as one of the most innovative and important film makers of his gener...
Philippe Grandrieux is one of cinema's only living true radicals and feted as one of the most innovative and important film makers of his generation. His consistently controversial work remains, however, relatively unknown outside of the international art film festival circuit. In this volume, the first book-length study of the work of Grandrieux in any language, Greg Hainge provides an overview and critical analysis of Grandrieux's entire career during which he has produced works for television, video installations, photography, performance pieces, documentary films, short films and...
Philippe Grandrieux is one of cinema's only living true radicals and feted as one of the most innovative and important film makers of his gener...