The contributors to this 1992 book examine various aspects of the relationship among Christianity and the visual arts, architecture and music in Russia. Within this broad area the book concentrates on specific topics rather than attempting a broad survey. Nonetheless, the range of material extends from the earliest stages of the introduction of Byzantine art forms in Kievan Russia to the relation between Christian and folk decorative/iconographic motifs to the use of religious imagery in the work of contemporary filmmaker Andrei Tarkovskii. The related interests of the contributors create a...