The figure of the grateful slave, devoted to his or her master in thanks for kind treatment, is ubiquitous in eighteenth-century writing from Daniel Defoe's Colonel Jack (1722) to Maria Edgeworth's 'The Grateful Negro' (1804). Yet this important trope, linked with discourses that tried to justify racial oppression, slavery and colonialism, has been overlooked in eighteenth-century literary research. Challenging previous accounts of the relationship between sentiment and slavery, in this book George Boulukos shows how the image of the grateful slave contributed to colonial practices of white...
The figure of the grateful slave, devoted to his or her master in thanks for kind treatment, is ubiquitous in eighteenth-century writing from Daniel D...
