John Rogers Haddad's analytically rich and methodologically complex work attends to various appearances of Chinese culture in America throughout the nineteenth century. Through a close examination of museums, panoramic paintings, blue and white ceramics, tea advertisements, travelogues, missionary accounts, children's literature, and world fairs, Haddad counters the idea that imperialist domination and racial prejudice eclipsed cultural exchange between Asia and the West during this period.

Americans who journeyed to China tended to acquire a degree of respect and admiration for the...