In this book you will find three algorithms for separating the audio waveform of instruments in musical performances. Each of these algorithms uses stereo cues and makes some assumptions about the structure of music in order to exploit the resulting redundancy of the tones and to localize the instruments in space. Much detail is given on the development of the algorithms, ranging from the idea at the beginning with the initial assumptions to the final algorithm. Suggestions for fine tuning are presented along with extension ideas for each algorithm in part. A separate chapter is focusing on...
In this book you will find three algorithms for separating the audio waveform of instruments in musical performances. Each of these algorithms uses st...