Michael Bracewell approaches visual art through its cultural context, the lens of the recent past and prolonged looking. He focuses on detailed descriptions of artworks, expanding their interpretation to include media, politics, music, poetry and other areas of cultural production. Together, the texts read as a history of the UK and British art from 1959 to the present day, featuring artists such as Richard Hamilton, Bridget Riley, Gilbert & George and Damien Hirst. Each essay is accompanied by an illustration selected by Bracewell himself. The collection concludes with a body of recent...
Michael Bracewell approaches visual art through its cultural context, the lens of the recent past and prolonged looking. He focuses on detailed descri...
Larsen, Lars Bang|||Bracewell, Michael|||Wood, Catherine
During the summer months of 2011, the Migros Museum fur Gegenwartskunst inaugurated a sculpture project on the grounds of the Froh Ussicht estate in Samstagern, Zurich. The project was inspired by Bomarzo, the famous Italian Renaissance garden populated with fantastical and monstrous sculptures and follies (i.e. buildings constructed primarily for the embellishment of a landscape). Artists Pablo Bronstein, Liz Craft, Ida Ekblad, Geoffrey Farmer, Kerstin Kartscher, Ragnar Kjartansson, Fabian Marti, Peter Regli and Thiago Rocha Pitta all devised their own fantastical narratives in response to...
During the summer months of 2011, the Migros Museum fur Gegenwartskunst inaugurated a sculpture project on the grounds of the Froh Ussicht estate in S...
Australian artist David Noonan (born 1969) uses found imagery as the basis for his screenprinted canvases and sculptures. Enigmatic figures, printed in grainy black and white or sepia, pose in these elaborate artworks, invoking covert and futuristic rituals. This monograph will be the first comprehensive overview of Noonan's work.
Australian artist David Noonan (born 1969) uses found imagery as the basis for his screenprinted canvases and sculptures. Enigmatic figures, printed i...
Gilbert and George met at St Martin's School of Art in September 1967. 50 years later, Michael Bracewell has worked with them on this beautifully designed primer, posing the question What Is Gilbert and George? Over the course of 37 short chapters, Bracewell--who has written extensively about Gilbert and George over many years--has created an accessible handbook to their work. Accompanied by illustrations selected by the artists, the book provides candid insights into their working practice, East London, sex, Victorian art, nationalism and maleness, among many other subjects. We may never...
Gilbert and George met at St Martin's School of Art in September 1967. 50 years later, Michael Bracewell has worked with them on this beautifully desi...