The contemporary genre of software art is characterized by creative and critical engagement with the technical language of computer programming. While at one level this represents a new realm of artistic possibility, at another level it raises fundamental questions concerning how aesthetic practices can intervene within processes of logical abstraction and instrumental engineering. This monograph argues that the potential of software art resides less in defining a settled and clearly delineated creative field than in opening up a space of vital aesthetic risk in which a variety of discursive...