The issue of representation of gender difference in visual culture and art in the Balkans is the main concern of this book. Its central claim is that gender difference needs a discourse that would examine the affirmative ways and processes of constructing new subjectivities rather than mere subjection and oppression. While the prevailing constructionist assumptions posit the subject as always already subsumed to a pre-established symbolic order, in her research Suzana Milevska focuses on visual materials that allow for alternative readings of the hegemonic regimes of representation. The book...