A revisionist study of Mansfield as a profoundly colonial yet daringly experimental writer, at the forefront of modernism. The essays in this volume draw on the complete journals, letters and stories, to reveal Mansfield as a modernist who transcended her artistic influences through a supreme understanding of voice, being and subjectivity.

In seeking new possibilities for alignments with, and resolutions to, the contradictory agendas implied by the terms "(post)colonial" and "modernist," the essays in this volume address the clashing perspectives between Mansfield's life in Europe, where her troubled self-designation as the "little colonial" became a fertile source of her distinctive brand of literary modernism, and her ongoing, complex relationship with her New Zealand homeland. The contributors investigate Mansfield's (post)colonial modernism in the context both of New Zealand settler-colonial fiction and of her European...

This volume redefines Katherine Mansfield as a critic, translator and poet. Bringing together all of Mansfield's poetry (some 179 poems and several songs), her literary translations (including letters by Anton Chekhov as well as those of Dostoevsky to his wife), her witty, sometimes scorching, parodies and pastiches, her imaginative aphorisms, her many incisive and heartfelt reviews of the novels of the day, and her essays, including those for the little magazine, Rhythm, this collection attests to the enormous variety and distinctiveness of the non-fiction writing that Mansfield produced,...

This volume offers new interpretations of Katherine Mansfield's work by bringing together recent biographical and critical-theoretical approaches to her life and art in the context of Continental Europe. It features chapters on Mansfield's reception in several European countries together with her own translations of other European writers.

This four-volume edition of Katherine Mansfield's works, assembled by Series Editor Gerri Kimber and her co-editors, brings together, for the first time, everything Mansfield wrote aside from her letters (which have their own edition).
Volumes 1 and 2 - the fiction - bring together 220 stories and story fragments, expanding considerably on a previous 'definitive' edition of 85 stories. Arranged chronologically, the reader can trace Mansfield's progress, month by month from her first schoolgirl story in 1898 to her last complete story in July 1922. Volume 3 redefines Mansfield as a critic,...

Previously only available as edited excerpts or as largely unedited transcriptions, Katherine Mansfield's diaries and notebooks have been re-transcribed and minutely edited for the first time, and are presented in this volume with precise historical, cultural and biographical contextual information. The entries show Mansfield's evolution as a writer as well as the impact of her era on early drafts of her mature writings. This volume also contains fascinating new material never previously published - poem-cycles, letters, Mansfield's own illustrations, and the last materials she was working on...

In line with the recent surge of critical interest in early psychology, the contributors of this volume read Mansfield's work alongside figures like William James and Henri Bergson, opening up new perspectives on affect in her work.

This volume presents essays that engage with many aspects of Mansfield s response to all things Russian as well as to the Russians she met in England and France. In addition, the volume presents a collection of images of Gurdjieff s Institute at Fontainebleau, several of which have never been seen before.