Film and theory have always gone hand in hand. In many ways, the professional academic study of cinema grew out of the revolutionary surges in literary and cultural theory in Europe. Since the 1970s, film theory has predominantly been a lens through which to wage philosophical and cultural war (in increasingly abstract terms), and cinema was in the right place at the right time. Toward a New Film Aesthetic argues that such an approach to film studies ultimately debilitates the study of film.
How does film theory connect with an audience that experiences film far beyond the...
Film and theory have always gone hand in hand. In many ways, the professional academic study of cinema grew out of the revolutionary surges in lite...
What is the fate of cinema in an age of new technologies, new aesthetic styles, new modes of cultural production and consumption? What becomes of cinema and a century-long history of the moving image when the theatre is outmoded as a social and aesthetic space, as celluloid gives over to digital technology, as the art-house and multiplex are overtaken by a proliferation of home entertainment systems?
The Orientation of Future Cinema offers an ambitious and compelling argument for the continued life of cinema as image, narrative and experience. Commencing with Lumiere's...
What is the fate of cinema in an age of new technologies, new aesthetic styles, new modes of cultural production and consumption? What becomes of cine...
